Wendy Jehlen

Wendy Jehlen’s career has been marked by international explorations, study and creative collaboration. She received her Bachelor’s degree in ritual and performance from Brown University and her Master of Theological Studies degree from Harvard Divinity School with a focus on performance and religion in the former Persian world. Wendy engages in collaborations across languages, culture, media and genres. Her work questions the boundaries that we imagine between ourselves, and seeks to break down these imagined walls through an embodied practice of radical empathy. This practice takes her around the world to conduct workshops, collaborations and performances which she calls collectively Dance Diplomacy.

Works include The Women Gather (2022); Conference of the Birds (2018); Entangling (2015), a duet with Burkinabe choreographer Lacina Coulibaly inspired by Quantum Entanglement; The Deep (2015), a work for 25 dancers created in São Paulo, Brazil, Lilith (2013), a solo on the first woman; The Knocking Within (2012), an evening-length duet on a disintegrating relationship; Forest (2010), a journey through the archetypal forest; He Who Burns (2006), a trio on the figure of Iblis (Satan); Breathing Space (2003), a collaboration with Japanese choreographer Hikari Baba in Tokyo; Crane (2002), based on images from Japanese Buddhist poetry; and Haaaa (2002), inspired by the experience of childbirth. Jehlen has received support from the Doris Duke Foundation for Islamic Art (2017-2018), Theater Communications Group (2018), the Japan Foundation (2017), the Boston Foundation (2012, 2017, 2020), New England Foundation for the Arts (2016-2021), Network of Ensemble Theaters (2016-2021), the Association of Performing Arts Presenters (2015-2020), the Boston Center for the Arts Choreographers’ Residency program (2010, 2015), the Artist Fellowship Program of the Massachusetts Cultural Council (2003, 2012), the American Institute of Indian Studies (2001, 2013), the Boston Dance Alliance (2013), the National School of Drama (2006, 2011, 2013, 2020), the Indian Council for Cultural Relations (2011), the Fulbright program (2005-2006), the National Endowment for the Arts (2005, 2019, 2020), the Tokyo American Center (2002), the Puffin Foundation (2001), and the Ford Foundation/Arts International (1996), among others.

She is a Fulbright Scholar and a Fulbright Specialist, an Arts Envoy of the US Dept of State, she is on the speaker roster of African Regional Services and has received Public Affairs grants from US Embassies in Benin, Brazil, Burkina Faso, Botswana, Japan, China, Mexico and South Africa.

Conference of the Birds:

Synopsis:
Conference of the Birds is an evening-length movement theater work created by an ensemble of artists from across the globe, inspired by the epic poem of Farid Ud din Attar, and incorporating stories gathered from modern-day refugees and other migrants. These stories are told through a hybrid language of dance, projection and sound, creating a four-dimensional world that we inhabit together for 70 minutes.

8-9 dancers, 3 tech staff

The Women Gather:

Synopsis:
The Women Gather is a ritual of healing created by an international ensemble of women-identified artists. This ritual takes place in an environment created by the ensemble, in a soundscape of our voices and bodies and the voices of our mothers and our grandmothers. We come to this space with different stories, different cultures, different bodies. We gather to create a safe space to exist and to gather our strength for what lies ahead. All are welcome.

Up to 12 ensemble members, 2 tech staff the performance ideally incorporates community members who participate in workshops into the stage performance.

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